Textiles are symbolic and unique to different cultures. Textile production in Western Africa is an important cultural, and more recently industrial, process that extends across national borders.Ghana is considered to be one of the more stable countries in West Africa since its transition to multi-party democracy in 1992.Most of the modern nation of Ghana was dominated from the late 17th through the late 19th century by a state known as Ashanti.Important part of the economy of the country is weaving - the traditional Ashanti fishery.The most recognizable textiles are the kente and adinkra. The production, symbolism, and distribution of each type of cloth provide a cultural patchwork of knowledge. Just like a single thread in the loom, the details of West African textiles are the keys to understanding the culture itself.The subject of the study is the African fabrics as a craft and special language. The engagement of this study is to collect material about African fabrics and to decipher the messages from Ashanti on them for better understanding their beautiful world. The first practice is to study the collections of kente in the largest museums of the world. The second practice is to to decipher the messages.Kente is more than just a cloth. Kente is exported as one of the key symbols of African heritage and pride in African ancestry throughout the diaspora.In spite of the proliferation of both the hand-woven and machine-printed kente, the design is still regarded as a symbol of social prestige, nobility, and cultural sophistication.