The asymmetrical gender attitudes and relationships give rise to conflicts of all sorts in families and the larger communities of the Igbo of southeastern Nigeria. Even though the status of women in contemporary Igbo society is subservient yet, they contribute significantly to the well-being and development of individuals and the society at large. This they do by keeping the physical, emotional and spiritual environments conducive for development in various ways, especially through artistic presentations. Music in particular, is a formidable tool for this because its conceptualization and practice have been generated by the need for communication that is geared towards communal welfare. Among other resources, Igbo women’s music is imbued with conflict resolution processes. Focusing on the song texts, dramatic arts, dance and costume, this study aims to access conflict resolution strategies enshrined in the songs. A selection of women’s songs based on their conflict resolution properties were collected, transcribed, analyzed and interpreted. The dramatic movements, dance and costumes used in the performance of these songs were also interrogated for conflict resolution roles. This study argues that evoking indigenous knowledge resources enshrined in the concept and practice of Igbo traditional music yields contextual information on strategies of physical, emotional and psychological conflict resolution amongst individuals, as well as the environment in Igbo women’s music. The product of this study is of importance in the fields of ethnomusicology, gender and conflict resolution studies.