16:30 - 18:00
Talk Session III
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16:30 - 18:00
Mon-HS1-Talk III-
Mon-Talk III-
Room: HS1
Chair/s:
Barbara E. Marschallek, Maria Manolika, Thomas Jacobsen
With the publication of Gustav Theodor Fechner’s Vorschule der Ästhetik, the year 1876 marks the beginning of Experimental Aesthetics, which is the second-oldest branch of Experimental Psychology. In his major work, Fechner suggested the study of aesthetics "from below", applying empirical knowledge. To date, the Experimental Aesthetics enjoys a growing number of researches from different fields of Psychology. The present symposia, therefore, comprise contributions investigating a variety of domains including, for example, live performances, materials, and tattoos, Furthermore, questions of the influence of several stimuli’s and individual’s characteristics, including but not
limited to complexity, memory resources, personality differences, and types of stimuli, are addressed.
Exploring the relationship between eye movement behaviour and aesthetic pleasure ratings of natural scenes
Mon-HS1-Talk III-05
Presented by: Claudia Damiano
Claudia Damiano, Johan Wagemans
Department of Brain and Cognition, KU Leuven
We know that people tend to prefer nature over urban environments, but is all nature created equal? Here we compared different types of natural environments in terms of aesthetic pleasure and exploration behaviour. Each participant viewed 78 images from one of three natural categories (beaches, forests, deserts) or an urban category (cities). After viewing each image, participants rated how much they enjoyed looking at that image. We found that the cities are preferred less than beaches and forests, but not deserts. Thus, although deserts represent a natural environment, they do not elicit as much pleasure as other natural environments. Several eye movement measures were also recorded. At a general level, aesthetic preferences for real-world scenes seem not to be related to overall eye movement behaviour, as both beaches and cities are explored more thoroughly (i.e., greater number of fixations, longer saccades) than forests and deserts despite their diverging aesthetic scores. However, image-by-image, visual exploration does relate to aesthetic judgements, though this pattern differs by scene category. For beaches and forests, greater exploration positively relates to aesthetic ratings. This is not the case for cities and deserts, where there is no significant relationship between visual exploration and aesthetic ratings. Taken together, these results imply that images which contain moderate amounts of information to explore may be seen as more interesting and therefore aesthetically pleasing. However, too much (e.g., in cities) or too little (e.g., in deserts) information may be deemed too overwhelming or boring, respectively, and therefore not as aesthetically pleasing.
Keywords: aesthetics, eye movements, exploration, natural scenes