13:30 - 15:00
Talk Session II
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13:30 - 15:00
Mon-HS1-Talk II-
Mon-Talk II-
Room: HS1
Chair/s:
Maria Manolika, Barbara E. Marschallek, Thomas Jacobsen
With the publication of Gustav Theodor Fechner’s Vorschule der Ästhetik, the year 1876 marks the beginning of Experimental Aesthetics, which is the second-oldest branch of Experimental Psychology. In his major work, Fechner suggested the study of aesthetics "from below", applying empirical knowledge. To date, the Experimental Aesthetics enjoys a growing number of researches from different fields of Psychology. The present symposia, therefore, comprise contributions investigating a variety of domains including, for example, live performances, materials, and tattoos, Furthermore, questions of the influence of several stimuli’s and individual’s characteristics, including but not
limited to complexity, memory resources, personality differences, and types of stimuli, are addressed.
Measuring the Desire for Aesthetics. The German Version of the Desire for Aesthetics Scale (DFAS-G)
Mon-HS1-Talk II-05
Presented by: Bjarn-Ove Tetzlaff
Bjarn-Ove Tetzlaff, Selina Maria Weiler, Thomas Jacobsen
Experimental Psychology Unit, Helmut Schmidt University/University of the Federal Armed Forces Hamburg, Germany
People differ in the extent of their Desire for Aesthetics. While some seem to have only a superficial interest in aesthetics, others live for it. However, no measurement tool is presently available to assess the Desire for Aesthetics in different domains in German-speaking populations. We conducted two studies to adapt the English Desire for Aesthetics Scale (DFAS) into a German version and examined its psychometric properties. In Study 1 (N = 317), we selected a translated item pool and assessed the scale's factor structure. Our analyses resulted in a four-factor solution representing the Desire for Aesthetics in four domains: Visual Arts, Individuals, Music, and Habitat. In Study 2 (N = 304), we revised and cross-validated the scale and examined the final 37-item DFAS-G for reliability and validity. We found good internal consistency for the global scale (Cronbach's alpha = .87) and all subscales (.74 to .82). We also observed convergent validity for the Big Five personality trait Openness to Experience and Aesthetic Perception, and confirmed a hypothesized relation between the DFAS-G subscale Visual Arts and Art Interest. Finally, we found discriminant validity with Intellectual Curiosity and Creative Imagination. Additional assessment of re-test reliability is the subject of an ongoing study. The comprehensive measurement of individual differences in aesthetic desire is an essential direction for modern aesthetics research.
Keywords: Desire for Aesthetics, German scale, Validation, DFAS-G, Personality